Reviewed by Ann Tweedy
Finishing Line Press, 2011
29 pages (chapbook)
ISBN: 978-1599248004
On Account of Darkness is a powerful
book written by a skillful and talented poet. It’s long enough and dense enough that it feels like a
full-length book rather than a chapbook.
The social justice themes in many of the poems very much resonated with
me, and I enjoyed the travels through space and time that these poems engaged
me in. Aside from the opening
poem, “Lou,” which blew me away, I found that my favorite poems were in the
second half of the book. This is
not to diminish the first half, which also had some wonderful poems.
Let’s
start with “Lou.” “Lou” is a
persona poem about Lou Gehrig, the professional baseball player who was
afflicted with what came to be known as Lou Gehrig’s disease. Did I mention that I don’t generally
care for baseball, especially not baseball that has nothing to do with my home
team, the Boston Red Sox? It’s
testament to Soldati’s strength as a poet that he made me care about Gehrig not
just as a person but as baseball player struggling against the odds of his
disease, playing successfully with seventeen untreated fractures, but
eventually losing the ability to play: “the shadow of the dugout never so dark/
or the ball field so bright.”
Similarly,
I found that several of Soldati’s poems about other countries touched a strong
chord in me and transported me to their realms, even when I knew next to
nothing about the locations. This
again is testament to Soldati’s poetic skill. For instance, “Abidjan Night”–about living in a city in the
Ivory Coast–was particularly powerful.
In “Abidjan Night,” the American speaker compares himself--and the
luxuries he is privy to--to the bleak situation of other Abidjan residents who
“sleep on the perilous ground of vacant lots” among other places. He acknowledges powerfully that he and
the other residents “share only the darkness” and finally brings us, his
readers, along on his escape from the destitution that surrounds him into “the
whiter-than-white/ skin of Nicole Kidman” that he views on videotape. Concluding the poem with the seductive
image of a movie star (and this other kind of voyeurism) is a brilliant move
that makes his readers feel complicit in the unjust disparities he is
witnessing, just as the speaker himself intimates feelings of discomfort and
complicity.
“Short-Time
Alley–Vietnam, 1960-75” and “A Visit to the Slave Dungeons” are two more poems
set elsewhere that I found to be quite powerful and which are also touched with
themes of complicity. “Short-Time
Alley,” about a soldier visiting a prostitute in Vietnam during the war, is a
brave poem about a subject that I wouldn’t normally expect to find
sympathetic. Again, kudos to
Soldati for putting me in the shoes of that soldier who foregoes food, despite
intense hunger, for paid sex, wanting “to feel alive” and knowing that he and
the men who came to this woman for solace before him “may be dead tomorrow.”
Finally,
I highly recommend “Shooting Up,” about taking heroine, and “Hungry Hawks,” a
nature poem about hawks desperate for food in the Oregon winter. Both poems it seems to me are about
rebirth and it’s important and fitting that they’re situated next to each other
in the book. In “Shooting Up” the
reader feels the desperation of the addict whose wish–“O let it be infinite/
and forever” feels like a prayer for salvation. The poem ends after the heroine has been injected and the
addict blissfully (and frighteningly) settles into “the shudder/ of life to
come.” In “Hungry Hawks,” the
hawks’ desperation for food in winter feels somehow similar to the addict’s, a
disturbing thought in itself.
However, instead of experiencing the satisfaction of seeing the hawks
sated, we leave them poignantly hungry, though “recall[ing] the rapture/ of
blood and salt in the mouth,” an image of remembered (and anticipated) rebirth
and of course death.
If
there was one poem that left me less than satisfied, it would be “Poet
Hussein,” which is about Saddam Hussein’s last days, in which he reportedly
wrote poetry. The poem is
addressed to Hussein and perhaps for that reason feels accusatory to me in a
way that makes me resist the poem and its premise. Political poems are notoriously treacherous terrain, and I
praise Soldati’s attempt if not the result in this one case.
In
short, “On Account of Darkness,” is a wonderful book and a good read. Go to the Finishing Line Press website
and buy it!
--Ann
Tweedy is the author of Beleaguered
Oases.
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