Untitled Country Review (ISSN 2152-7903), published quarterly during 2010-2013, features poetry, book reviews, photography, and short works of non-fiction. Thank you for visiting.


Showing posts with label Scott Owens. Show all posts
Showing posts with label Scott Owens. Show all posts

Issue 6: Scott Owens


by Paula Lietz


Beautiful Tree Poem

Lying in bed I hear voices,
muted, distorted, probably just
the fan, sounding as I heard them once
on bended knees, Lord, forgive me.
Other times troubled, dreaming, uncertain,
He loves me; he loves me not.
I’ll be back. I promise. I’ll
never leave you. Sonofabitch!
How much more can I take?
What’s the point in trying?
Sometimes if I listen closely I hear
my grandmother on a good day saying
God is always listening, saying simply,
How beautiful the trees are.



Author of seven collections of poetry and over 800 poems published in journals and anthologies, Scott Owens is editor of Wild Goose Poetry Review, Vice President of the Poetry Council of North Carolina, and recipient of awards from the Pushcart Prize Anthology, the Academy of American Poets, the NC Writers’ Network, the NC Poetry Society, and the Poetry Society of SC. He holds an MFA from UNC Greensboro and currently teaches at Catawba Valley Community College. He grew up on farms and in mill villages around Greenwood, SC.

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Issue 2: Scott Owens




A Brief History of Almost Everything


No one could say exactly when it began,
some unseen fabric unraveling into something else,
composition more a matter of perspective,
design just as often happy accident.

Of course, there was a garden
where things could grow and go wrong,
full of bird calls, skittering of squirrels,
more things blooming than your wildest spring.

The devil, it seems, was there, living
behind the chimney on a white house
on Davis Avenue, three brothers,
cotton mills, graveyards and baseball fields,
hospitals and book mobiles,
and the usual presence of loss.

And then one man after another
tried to take over, the best
of them merely inadequate.

Next, girls appeared, the first time
on horseback. He rode behind one named Sunshine.
Four years older, she placed his hand
beneath her shirt, the other between her legs.
The rubbing was all that was needed.

They each tried to remake Mama
in their own way, each failed
more than once, settling after awhile
on something approximating bliss,
involving children and lawnmowers,
and places to keep what mattered.

Finally, he realized that all his thoughts
of first, then, next were little more than
convenience, and so he tried a poem
to get it all down the way it happened,
a little messy and all at once.


--Scott Owens


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